THIS is why I love techno. Goosebumps throughout, great rhythm, just… wonderful. Enjoy!
Dark brooding sonic experiment. Uses audio footage from Bristol Riots (UK 2011) and Italian Riots (same year) as sound sources. Audio mangled and processed by me.
Longform drifting ambience…
A short form ambient piece using lots of granular processing. Hope you like it!
No that’s not a typo. I’m getting back into music production with a new name, new gear and new style. More to come soon….
I started listening to electronic music when I was in my teens. I guess I was the real rebel. Where most teens of my era were rebelling with Electro, Hiphop, and more – I followed other musicians less well known to those around me.
The likes of Jean-Michel Jarre, Vangelis, Didier Bocquet, Edgar Froese, Tangerine Dream would be common names to me. But, practically never to those around me.
As I got older, my tastes diversified. I listened to techno – the true electronic dance music, made with the 808, 909 and 303, often partnered with the SH-101 synthesiser. Music artificial in nature.
From there I progressed into the sounds of FSOL, Orb, and many more. I still kept my love of all music instrumental, preferring the artificial electronic sound rather than the typical guitar sounds, the four-piece band. Musicians like Kit Watkins, who could create the sounds of an entire band. Live. I always thought his piece ‘The Infinity of Three’ was performed by a band. Until I saw the video.
Then I got into Pete Namlook – a guy so prolific he could have easily released an album a day – and almost did. This got me into long-form music, tracks that broke the 3-4minute pop, and the 7-9minute EP tracks. Obviously this was nothing entirely new, my childhood had introduced me to the likes of Klaus Schulze who produced and album consisting of 2 tracks – one pre side of the LP.
In fact my favourite Klaus Schulze track:
So why electronic music? Because it allows the sound I could never hear otherwise, it frees you from the simply acoustic. It’s got a depth and breadth wider than an orchestra could ever manage. Don’t believe me?
Check these out:
36: Dream Tempest – title track from the awesome latest album by 36. This is a pure soundtrack piece, simply beautiful.
EVE Online OST – composed in Iceland, this is space synth music at it’s finest. I’ve mined many an hour with this track alone.
So. Is electronic music viable? Yes. Does it engage the emotions? I would certainly think so. Thoughts?
It’s been a long while since I just simply blogged. I went from writing a journal pretty much most days, to typing it out on a screen. Now I am trying to find a balance between the two. I still write in a personal journal, and am making a conscious effort to write something less intimate and personal here for the benefit of the reading interwebs.
I used to use Moleskine notebooks almost exclusively, but now they are relegated to rough note-taking at work. Why? Simply because they feather like it’s going out of fashion – not that it was ever in fashion, mind you.
So I turned to Leuchtturm 1917 – and they are fantastic notebooks. No feathering, despite whatever colour ink I’m filling my pen with. For the pen/ink obsessives out there – here’s the info. TWSBI Vac 700 clear with fine nib, in the pic I was using Diamine Sapphire Blue, which goes on purple, dries bluer. My current favourite ink is Diamine Sunshine Yellow.
I guess that will suffice for now – it is late in the evening and I have a few other tasks to attend to. Hopefully I’ll blog something else shortly. In the meantime, check out Earlyguard’s rather excellent and strangely abstract ‘Alterations’, available on Bandcamp…